鲁迅先生的小说《故乡》叙述了“我”——一个进步的知识分子返乡搬家的一段经历。一般认为小说的线索是:回故乡——在故乡——离故乡。这诚然是不错的,但我们似乎更应注意到伴随这一经历的“我”的情感的深刻变换,即:期待——幻灭——再生的心理历程。阔别故乡二十余年的“我”返回时见到的竟是一幅苍凉的景象,“苍黄的天底下,远近横着几个萧瑟的荒村,没有一丝活气”。而在“我”的记忆中,故乡要好得多了,“但要我记起他的美丽,说出他的佳处来,却又没有影像,投有言辞了”。于是“我”只好把这种奇特的感受归咎于“没有什么好心绪”,这一似乎合理的解释未能使我们满意。故乡本来也许就没有什么改变,“我”心中 Mr. Lu Xun’s novel “Hometown” describes “I” - an experience of a progressive intellectual moving back home. It is generally believed that the clues of the novel are: returning to his hometown—in his hometown—from his hometown. It is true that this is true, but it seems that we should pay more attention to the profound transformation of the “I” emotions that accompany this experience, namely: expectation—disillusion—the psychological process of regeneration. The “I,” who had been away from his hometown for more than two decades, saw a desolate scene when he returned. “Under the yellowish sky, there are a few bleak and remote villages, and there is no trace of living.” In the memory of “I,” the homeland is much better. “But I must remember his beauty and say what his best place is, but there is no image, and there is speech.” So “I” had to attribute this peculiar feeling to “no good mood”. This plausible explanation failed to satisfy us. Hometown may not have changed, “I” in my heart