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即使是在西方,文艺学(美学)与各门艺术间关系的探讨也“非常重要,因为它是理解艺术的目标、意图以及人们对待艺术的态度的一条途径”。1而在文艺学(美学)中思考民间艺术,同样举足轻重。因为,它“是名副其实的中华民族的‘根文化’”。2然而,令人遗憾和费解的是,对这一“重要关系”的探索与运用在现有的文艺学、美学学科知识体系中几乎完全被置若罔闻。文艺学、美学理论不是来自于民间艺术的理论生产,却任其在哲学、逻辑上操持概念、范畴的
Even in the West, the discussion of the relationship between art and aesthetics (aesthetics) and various arts is “very important because it is a way of understanding the aims, intentions, and attitudes of art toward the arts.” 1 In the literature and art (aesthetics) thinking of folk art, equally important. Because it is “a veritable root culture of the Chinese nation ”. 2 However, it is regrettable and inexplicable that the exploration and application of this “important relationship” have been almost completely ignored in the existing literary and aesthetic knowledge systems. Literary studies and aesthetics do not come from the theoretical production of folk art, but allow them to hold concepts and categories in philosophy and logic