燕紫的艺术总是倾向于营造某种静穆状态,虽然它们中间包含着多重矛盾不安的种子,如荒诞的物象和空灵的山水、痛楚的记忆和超度的冥想、肉体的欲望和精神的僭越,但所有的矛盾都恰如其分地统一在了一种游丝般不可捉摸的线条和色团中,它们既是对现代焦虑的描绘又是对这种焦虑的解毒与治疗。她的艺术远离观念和思想而更接近灵性和意象,所以,与其说它们描绘的是当代生活,不如准确地说它描绘的是经过古代笔墨、古代意趣和古代情怀过滤后的当代生活。六朝是燕紫艺术的一个趣味底本,六朝的玄言故事、佛学、山水诗、书法,文人的风流旷达、狂狷任性、食药服丹的嗜好,甚至六朝黑暗的时代和灿烂的艺术之 The art of Yan Zi always tends to create some kind of quiet state, although they contain multiple contradictions and uneasy seeds, such as absurd objects and ethereal landscapes, painful memories and excessive meditativeness, physical desires and spiritual overtones, However, all the contradictions are appropriately unified in a gossamer-like line and color group, which depict both modern anxiety and detoxification and treatment of this anxiety. Her art is far closer to spirituality and imagery away from ideas and thoughts, so it is not so much the contemporary life as it portrays it rather than the modern life after filtering through ancient writing, ancient taste and ancient feelings. The Six Dynasties is a Fun Base for Yan Zi Art. The Six Dynasties’s profound stories, Buddhism, landscape poems, calligraphy, literati’s fanciful, fanaticism, drug-eating Dan’s hobby, and even the dark times of the Six Dynasties and splendid art