姜文蛰伏多年的新片《太阳照常升起》虽在市场上遭到冷遇,但不能否认这是一部有创意的影片。尽管这样的电影并非在中国电影的创作传统之内,但其非现实主义的大胆尝试,仍然让我们看到了一种改造中国电影现实主义创作模式的冲动。近年来,有这样冲动的中国导演不只姜文一个,但显然没有形成有影响力的美学追求。在市场压力巨大的今天,在美学和艺术上的创新基本被宣传、炒作上的创新取代的时候,我们是要向姜文这样的导演投去一种敬意的目光。当然,站在创新这根高悬空中的钢丝绳上,不仅要有走上去的勇气,更要有走过去的技巧。本期刊发此文,意在引起大家对于一种非传统创作思维的重视,并给予这样的思维以更多理论上的支持。 Jiang Wen dormant years of the new film “The Sun Rises” Although the market has been cold, but can not deny that this is a creative film. Although such films are not within the tradition of Chinese filmmaking, their bold attempts at non-realisticism still allow us to see an impulse to reform the creative mode of Chinese film realism. In recent years, such impulsive Chinese directors not only Jiang Wen one, but apparently did not form an influential aesthetic pursuit. Today, with tremendous market pressure, we must pay a respectful eye to a director such as Jiang Wen when aesthetics and artistic innovation are basically promoted and replaced by speculation. Of course, standing on the rope of innovation in this high hanging air, not only have the courage to go up, but also to go past the skills. This issue of this article is intended to arouse people’s attention to a non-traditional creative thinking, and to give more theoretical support for such thinking.