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中国传统工笔花鸟画自唐兴起,至五代获得较大成就,到两宋进入了一个新的发展阶段。纵观中国花鸟画艺术的发展,名家众多,派别林立,从审美趋势上看,花鸟画大致可总结为:富贵典雅,精致美丽,简洁纯朴。两宋时折枝式构图已是常见的构图形式,因重视写生求似,强调对物象质感的表现,画家从各种角度对物象最精彩的部分进行描绘,大多以一株联想全株,使人感到自然清新,激发观赏者对大自然的无限想象,这就确立了折枝式构图的基本特征与精髓。
Since the rise of the Tang Dynasty, the traditional Chinese brushwork and flower-and-bird painting has made great achievements in the Five Dynasties and reached a new stage of development in the two Song Dynasties. Throughout the development of Chinese art of flower and bird painting, there are many famous people and factions. From the perspective of aesthetic trends, flowers and birds paintings can be summarized as follows: rich and elegant, delicate and beautiful, simple and simple. In the Song dynasty, the branch-and-shoot composition is a common form of composition. Because of its emphasis on sketching and emphasis on the performance of the material texture, the painter depicts the most wonderful part of the object from various angles. Mostly, Feel natural fresh, inspire viewers unlimited imagination of nature, which established the basic features and essence of the composition of the broken branches.