世界上有两种读物,一种是好读好懂的,一种是不好读也不好懂的。就文学作品来说,例如,卡夫卡的《城堡》、普鲁斯特的《追忆似水年华》都属于后一类。对这类书与其说是阅读,不如说要依据一定的“技术”去诠释。于是,对这类书而言,批评家和文学研究者或“专业作家”的作用就凸现出来了,因为这些人应该是了解这些“文学的技 There are two kinds of books in the world: one is good at reading and the other is not good at reading or good at understanding. For literary works, for example, Kafka’s “Castle”, Proust’s “Remembrance of Love” belong to the latter category. Such books are not so much to read as to be based on a certain “technology” to interpret. Thus, for such books, the role of critics and literary researchers or “professional writers” comes to light because these people should be aware of these "literary techniques