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参照日本民艺运动的实践案例,试图在案例解读中阐释中国的民艺运动,这需要在文化性和精神层面认知民艺的中国价值,梳理民艺的内涵和外延,从主流工艺美术到少数民族文化遗产,包括非物质文化遗产记忆的传习和发展等,逐步在中国现代化发展过程中建立一套可持续发展模式;发展民艺的精神实质和价值,并在手工制造的时间投入和情感附着中,发现民艺在快速消费时尚蕴藏的文化价值,建立民艺在中国快速发展中的现代性审美价值体系;倡导民艺手作者内生性自我发展体系,从价值倡导到精神共享的层面建立民艺的主体性文化认同,建立具有本土化实践和运用的民艺再生路径。
In the light of the practical cases of Japanese folk art movement, trying to interpret Chinese folk art movement in the case interpretation needs to recognize the Chinese value of folk art on the cultural and spiritual level, sort out the connotation and extension of folk art, and from mainstream arts and crafts to The cultural heritage of ethnic minorities, including the transfer and development of memories of the intangible cultural heritage, will gradually establish a set of sustainable development models in the process of China’s modernization drive; develop the spiritual essence and value of folk arts and devote their time and emotion in hand-made products In the attachment, we found the cultural value of folk art in the fast-moving fashion, and established the modern aesthetic value system of folk art in China’s rapid development. We advocated the endogenous self-development system of artists in art and culture, from the value advocating to the spirit sharing Subjectivity of folk culture of cultural identity, the establishment of local practice and use of folk art regeneration path.