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山水画是一门艺术境界很高的画种,具有非常深厚的文化底蕴和内涵。中国画讲究含蓄,注重抒情。画面往往不求形似求神韵。因此画面所要体现的不仅仅是所画物体的形象,更重要的是通过物象来衬托虚处的意象。所以一幅经典的绘画作品中看不到的景物的表达就显得尤其的重要,但是这种看不见的虚又是通过实的衬托得以表现。本文是对山水画创作为研究主题,主要通过对传统的学习,临摹、写生、创作作简单的理解,对虚实的理解掌控与画面,画面中虚实与疏密、黑白、笔墨等因素相互生成。
Landscape painting is a high artistic style of painting, with a very deep cultural heritage and content. Chinese painting stress subtle, pay attention to lyrical. The picture is often not seek the shape like charm. Therefore, the picture should not only reflect the image of the object being painted, but more importantly, the image of the emptiness should be set off through the object. Therefore, the expression of a scene that can not be seen in a classic painting is especially important. However, this invisible reality is manifested through solid background. This article is the theme of the study of landscape painting, mainly through simple understanding of traditional learning, copying, sketching and creation, understanding and control of the actual situation and the picture, the actual situation and density, black and white, ink and other factors in the picture.