荒煤同志是我这一代电影人的前辈、领导者。我直呼其名而不是称其为局长、部长,是他让我这么叫的。几乎所有电影人无论辈分大小都那么称呼他,“荒煤同志”。我第一次接触荒煤同志是1963年,当时崔嵬导演拍摄电影《小兵张嘎》,我担任场记工作。从剧本的改编、写作导演分镜头剧本、小演员的选择、影片风格的确立、拍摄、后期制作,崔嵬导演可谓叱咤风云,一路大刀阔斧,创新与突破都在崔嵬掌控之中。我初入影坛,深深地感受到他创作的自信与强势,在他周围很少有人能在艺术上征服他。影片完成对白双片后,它的清新活泼,标新立异征服了 Lonely coal comrades is my generation of movie people’s predecessors and leaders. I called his name rather than call it Secretary, Minister, he made me so called. Almost all filmmakers, regardless of their size, call him “Comrade Araki”. My first encounter with non-coal mine comrades was in 1963, when Cui Ying directed film “Little Soldier Zhang Ga,” I served as field record work. From the adaptation of the script, the director’s shot, the selection of the little actress, the establishment of the film style, the shooting and the post-production, the director Cui Ying is all-powerful and drastic. The innovation and breakthrough are all under the control of Cui Ying. When I first entered the film, I deeply felt the confidence and strength of his creation. Few people around him could conquer him artfully. After the film completes the dialogue double-slice, its fresh and lively, unconventional conquest