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沈尹默的书法时代观,主要体现在他对书法艺术的时代精神的阐述上。谈及沈尹默的文艺成就,很多人会想到他的诗词和书法。广为人知的书法论著主要是《书法论》《二王法书管窥》以及《历代名家学书经验谈辑要释义》等,论述笔法、笔势、笔意,倡导书学二王褚颜,剖析历代名家的学书经验。正如沈尹默积极投身五四新文化运动提倡新文学、反对旧文学、倡导早期的白话诗写作、顺应时代的发展潮流、彰显时代精神一样,他的书法思想中也蕴含着遵循时代精神的观念。一九六三年十二月四日,《北京晚报》发表沈尹默《书法艺术的时代精神》一文,十二月七日《人民日报》在第六版进行了转载。在这篇文章中,沈尹默首次成篇论
Shen Yinmo calligraphy concept of the times, mainly reflected in his calligraphy of the spirit of the times on the elaboration. When it comes to Shen Yinmo’s literary achievement, many people think of his poetry and calligraphy. The well-known calligraphy works are mainly “calligraphy”, “two kings and law books” as well as “famous history books to explain the history of the series to explain” and so on, discusses writing, gestures, writing, advocating book learning two Wang Chu Yan, analysis of ancient books experience. Just as Shen Yinmo actively devoted himself to the May 4 New Culture Movement to promote new literature, oppose the old literature, advocate early vernacular writing, conform to the development trend of the times and demonstrate the spirit of the times, his calligraphy concepts also contain the notion of following the spirit of the times. On December 4, 1963, “Beijing Evening News” published Shen Yinmo’s “Time Spirit of Calligraphy Art”. The People’s Daily on December 7 was reproduced in the sixth edition. In this article, Shen Yinmo for the first time into articles