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今年春间,我曾参加过侯(喜瑞)派传人、京剧名净袁国林同志收京剧业余爱好青年赵霁光为弟子的拜师会,当时的心情,一则以喜,一则以忧。喜的是一位业余青年竟如此虐诚地爱好京剧,认识侯派艺术的价值;忧的是侯派艺术后继乏人。我在拜师会上的发言中不禁慨叹:“业余青年拜师、继承侯派艺术,是大好事;然而,专业青年演员哪里去了呢?”侯喜瑞先生的架子花脸艺术,有其独特的成就,是我国京剧的一份宝贵财富,是应该认真继承发扬的。侯喜瑞的艺术在京剧史上占有醒目的一页。本世纪二十年代到三十年代,是侯先生的盛年。他的表演
This spring, I have participated in the Hou (Xirui) to send descendants of the Beijing opera net comrades Yuan Guo Lin received Peking opera hobby youth Zhao apprentice as disciples, then the mood, one to hi, one to worry. Hi is an amateur youth so hobby to love Peking Opera, to recognize the value of Hou style art; In my speech at the Apprenticeship, I can not help but lament: “It is a good thing for amateur youth to appraise and inherit the art of the Houpai School. However, where are the professional young actors?” The unique face of Mr. Hou Xi Rui’s face-painting art A valuable asset of our country’s Peking opera should be seriously inherited and carried forward. Hou Xirui art occupies a striking page in the history of Beijing Opera. The twenties of this century to the thirties, is the grandfather of Mr. Hou. His performance