《金锁记》中的曹七巧和《竹山房》中的二姑姑作为个性迥异的两个形象,有着相似的不幸命运。面对金钱枷锁和封建伦理束缚,她们或是绝望地反抗,或是宿命地承受,但最终都不可避免地走向悲剧结局,她们的遭遇凸显了中国女性悲剧命运的深层文化内涵。 Cao Qiao in “The Golden Lock” and the two aunties in “Tushanfang” have similar unlucky fates as the two images of different personalities. In the face of shackles of money and feudal ethics, they either desperately resist or fatefully bear, but ultimately inevitably come to the tragic end. Their encounters highlight the deep cultural connotation of the tragedy of Chinese women.