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在5月的最后一天,我们在南方剧院观看了新编大型粤剧《鹅潭映月》,在感受到五月的阳光的同时,也感受了一番粤剧的阳光。一《鹅潭映月》的编剧余楚杏和导演陈少梅都在粤剧界穿梭多年,陈少梅更是饮誉剧坛,对粤剧传统的行当、程式、唱腔、舞美均十分熟悉,由他们编导出来的粤剧很有粤味,避免了粤剧舞台上一度由外省剧作家担任编剧、外省导演来执导粤剧的不正常现象。本人并非排斥外省编导名家,只因他们不懂粤语和粤剧唱腔,又不熟悉南粤的风土人情,编导出来的粤剧作品常常令人啼笑皆非。《鹅潭映月》是一部较客观地
On the last day of May, we watched the new large-scale Cantonese opera “Eese Tan Moon” at the South Theater, and at the same time we also felt the sunshine of Cantonese opera while enjoying the sunshine of May. A screenwriter of “Eese Tan Ying Yue” Yu Chuxing and director Chen Shaomei all shuttle in the Cantonese Opera for many years, Chen Shaomei is more famous in the theater, Cantonese opera traditionally, procedures, singing, dancing and the United States are very familiar with the Cantonese opera Very Cantonese, to avoid the Cantonese opera stage once by the provincial dramatist as screenwriter, provincial director to direct the Cantonese opera is not normal. I do not exclude the famous director of other provinces, but because they do not know Cantonese and Cantonese opera aria, and they are not familiar with the local customs and practices in Southern Guangdong, Cantonese opera productions are often ridiculed. “Eese Tan Ying Yue” is a more objective