论文部分内容阅读
1956年,李少春发表了《京剧与京音》和《京剧界应以实际行动来拥护汉语规范化》两篇文章,破除了对“上口字”及湖广音规范的迷信,提倡“用北京语音来掌握唱腔和韵白”。这件事引起了学术界的一阵争鸣。于是,李少春又在1957年撰文《京剧音韵不能逐步采用北京语音吗?》用大量实例,说明“京剧的唱念逐渐向北京语音靠拢是完全可行的”他认为:“昆曲的没落,是和语言脱离实际
In 1956, Li Shaochun published two articles, ”Peking Opera and Jingyin“ and ”Peking opera circles should take practical actions to support Chinese standardization“, breaking away from the superstition of the ” Beijing voice to master the singing and rhyme white. “ This incident has aroused controversy in academia. As a result, Li Shaochun again wrote in 1957 that ”Peking Opera phonology can not gradually adopt Beijing speech?“ With a large number of examples, it is entirely feasible that ”the singing of Beijing opera gradually moves closer to Beijing’s voice.“ ”In his opinion," the decline of Kunqu opera, It is out of touch with the language