丁帆曾在《知青小说新走向》一文中对知青题材的写作评述道:它是被绑缚在伤痕文学的祭坛上,用悲剧的手法抒尽了一代知青的苦难和悲情;而后,他又被凌驾于英雄主义的战车上,以悲壮的美学情调净化和深化了那一段苦难的历程。诚如丁帆所言,在那个历史潮落之后,有些人在坚守历史的叩问,坚持后知青时代的回忆与断想,王洪浩便是其中的一位。王洪浩新作《左右》取材于上山下乡的知青,以简单直白的笔调讲述了那段历史中人性扭曲与混沌的场面,显现的却是历史黑洞中不可承受之重。初读小说时,“左右”这一标题让我联想到“文革”历史中,“左”、“右”路线中争执偏离的人和事,然而,读罢故事,才明白,“左”、“右”来因更 Ding Fan once commented on the writing of educated youth in his article “A New Trend in Young Intellectual Fiction:” It is tied to the altar of scar literature and used the tragedy to express the misery and tragedy of a generation of educated youth. Later, Be above the heroic chariot, purifying and deepening the period of suffering with a tragic aesthetics. As Ding Fan said, after that ebb and flow of history, some people are adhering to historical inquiries and upholding the memories and thoughts of the late Qing era. Wang Honghao is one of them. Wang Honghao’s new work, “Left and Right,” is based on young educated youth going up to the countryside and tells the story of the distortion and chaos of human nature during that period of history in a straightforward and straightforward manner. What appears is an unbearable weight in the historical black hole. When I first read a novel, the title of “Left and Right” reminds me of the people and things in the history of “Cultural Revolution ”, “Left ” and “Right ”. However, reading the story Only to understand, “left ”, “right ” to be more