《风筝》作为鲁迅先生《野草》里的名篇,既有常人易于看到的儿童本位观、自我批判等主题内涵,同时又有为一般人易于忽视的绵密主题——悲哀意绪,而整篇作品却是对这种意绪的化解尝试,其中不乏自解的吊诡:鲁迅往往是采用自虐式自剖的方式自解,自解的抽刀断水效果可想而知。同时,风筝意象中其实也富含了多元角色,如作为心绪的风筝,并非爱情指涉,而更是不可排解的愁绪;作为意义的风筝,鲁迅在处理兄弟失和、天性本位时都与风筝勾连,而作为叙事的风筝层面,无论是回忆还是虚构都起到了较好的推进作用,但也不乏吊诡。 As a famous piece in “Wild Grass” of Mr. Lu Xun, “Kite” has the theme conceptions of children’s standard of self-criticism and easy to be seen by ordinary people, meanwhile, there is a sad subject which is a dense topic easily overlooked by ordinary people. Works are attempts to defuse this kind of mood, many of which are self-solve paradoxes: Lu Xun is often self-destructive self-dissection from the solution, self-cleaning knife water effect can be imagined. At the same time, the kite image is actually rich in a variety of roles, such as the mood of the kite, not a reference to love, but more irresolvable melancholy; as the meaning of the kite, Lu Xun in dealing with brotherhood, nature and kite Hook, and as a narrative kite level, either memory or fiction has played a better role in promoting, but there is no lack of paradox.