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在《上海鲁迅研究2012·春》上,《关于东京“左联”重建后中国留日学生的文学·艺术活动》一文中提及了新兴木刻运动中第一批青年木刻家之一,书籍装帧插画家郑川谷。翻译此文后,我对这位画家生平和作品产生了兴趣。关于他的生平,尤其是他的死,目前说法不一,通行的说法大约是来自于郑川谷在上海生活书店工作时的同事莫志恒的回忆《三十年代出版界的
On “Shanghai Lu Xun Studies 2012 · Spring”, one of the first young woodcutters in the emerging woodcut movement was mentioned in his article “Literary and Artistic Activities of Tokyo-based Left-Handed Chinese Students Studying in Japan after Reconstruction” Book binding illustrator Zheng Chuan Valley. After translating this article, I became interested in the painter’s life and works. About his life, especially his death, the current argument is different, the prevailing argument is about from Zheng Chuan Valley Shanghai life bookstore work colleagues Mo Zhiheng memories of "the thirties publishing industry