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书法作为美术学学科的分支,是20世纪以来学科分类的产物。在美术学学科建设本身就显得边缘化的一百多年来,书法的边缘化就显得更为突出。值得欣喜的是,近年来随着国力日升,中国传统文化逐渐得到国家相关职能部门及国人的重视,书法艺术也在文化复兴的大潮中逐渐有着回归本位的迹象。这对于书法从业者而言,是大快人心的好事。不过,如果将当代书法艺术置于整个书法史,疑问与担心又接踵而至:当代书法的艺术水准与历史上的哪些时代可以并论?当代书法艺术风格又在多大程度上完成了历史的使命?许多学者对此有讨论。乐观论者认为,中
Calligraphy as a branch of fine arts is the product of the discipline classification since the 20th century. In the more than one hundred years since the discipline of art has become marginalized, the marginalization of calligraphy has become even more prominent. It is gratifying to note that with the rising of national strength in recent years, Chinese traditional culture has gradually gained the attention of the relevant state departments and people of China. Calligraphy art has gradually returned to its standard in the tide of cultural rejuvenation. This is a great pleasure for calligraphy practitioners. However, if the contemporary art of calligraphy is placed in the entire history of calligraphy, doubts and worries come one after another: Can the contemporary art level of calligraphy and the historical epochs go together? To what extent has the contemporary calligraphic art style completed its historical mission? Many scholars have discussed this. Optimists believe that China