论文部分内容阅读
陈冠中:生于上海,长于香港,居于北京的著名文化人。1976年创办香港《号外》杂志并任总编辑及出版人至1998年,曾监制及策划多部中国香港及美国电影的制作;从1990年代起,穿梭于内地、台湾及香港之间,从事媒体、文化和娱乐产业经营。著有《香港三部曲》、《我这一代香港人》、《移动的边界》、《事后:本土文化志》、《城市九章》等多部作品。《检察风云》:您写过一本《波西米亚中国》,描述了一个波西米亚的北京,您觉不觉得北京是一个外来文化对本土文化冲击的产物?陈冠中:那一定是,所有创新都是混杂
Edison Chan: Born in Shanghai, longer than Hong Kong, living in Beijing’s famous cultural person. In 1976, he founded the magazine “Extranet” and served as the chief editor and publisher. In 1998, he had supervised and planned the production of many Hong Kong films in China and the United States. Since the 1990s, he has been traveling between the Mainland, Taiwan and Hong Kong, , Culture and entertainment industry management. Author of “Hong Kong trilogy”, “my generation Hongkong”, “mobile border”, “after the fact: local culture”, “city nine chapters” and many other works. “Prosecutor’s Case”: You wrote a book about “Bohemia China”, described a Bohemian Beijing, do you think Beijing is a product of foreign culture impact on local culture? Chen Guanzhong: That must be, All innovations are mixed