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玛利亚·路易莎·邦巴尔(1910—1980)是一位生命充满悲剧色彩的智利杰出女作家。她的处女作《最后的雾》,用诗一般的语言构造了一个神秘的梦幻世界,给读者提供了多种阐释的可能。本篇论文试图以她作品中追求神奇的梦幻的特点为视角,从超现实主义的审美观来揭示邦巴尔形而上的审美情趣,并结合叙事的内倾、时间的瞬间和永恒问题,进一步论述她的审美观,从而得出结论:是邦巴尔对人生的绝对诗意化的追求使她的作品成为实现“诗意地栖居”的文本,并保持着永久的魅力。
Maria Luisa Bambar (1910-1980) is a tragic Chilean woman writer. Her debut “Final Fog”, poetic language to construct a mysterious dream world, to provide readers with a variety of possibilities. From the perspective of surrealist aesthetic ideas, this thesis attempts to reveal the aesthetic taste of Bangbal’s metaphysics from the perspective of pursuing the magical fantasy in her works and further discuss her with the introvert of narration, the moment of time and eternity Aesthetic conclusion, and concludes that it is Bondburn’s absolutely poetic pursuit of life that makes her work a text that fulfills “poetic dwelling” and maintains a permanent charm.