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古典悲剧中所颂扬的永恒正义是人类社会共同的精神财富,它以“正、反、合”的动态过程推动着戏剧情节的演进。我们不惟从黑格尔的“对立统一”、“否定之否定”两大辩证法原理出发进行分析研究,更应兼以《周易》、《道德经》等中国古代经典中的“道”、“阴阳”等哲学范畴进行思辨,重新考量当今戏剧的视觉伦理价值,重建戏剧的伦理视觉,发挥戏剧应有的探索与颂扬永恒正义的审美功用。
Eternal justice in classical tragedies is the common spiritual wealth of human society. It promotes the evolution of the dramatic scenario with the dynamic process of “positive, negative and co-op”. We do not only analyze and study the two dialectical principles of Hegel’s “unity of opposites” and “the negation of negation”, but should also be combined with the ancient Chinese classics like “Book of Changes” and “moral classics” Dao “,” Yin and Yang "and other philosophical categories to reconsider the visual ethical values of contemporary drama, rebuild the ethical vision of drama, and play the due exploration of the drama and praise the aesthetic function of eternal justice.