恩夫·胡文在巴塞尔美术馆举办了他规模最大的博物馆展,探讨了后机械时代的社会和经济问题。他的作品表现预算削减、资本下滑和阶级差异导致的效应,巧妙地暗示了推动人类发展的不再是机械,而是人类的贪婪。展览的标题“直立座椅”来自于廉价航空公司设计的一种直立的乘客座椅——不过这种设计在法律上尚未被认可。展览的开幕式上用来分开人群的栏杆就以最简单的方式表现了造成阶级分化的种种限制。胡文的这些素净的作品带着一种坦诚甚 Enfhuven organized his largest museum exhibition at the Art Basel in Basel, exploring the social and economic issues of the post-mechanical era. His works, which show the effects of budget cuts, capital downturns and class differences, have cleverly suggested that the promotion of human development is no longer mechanical, but rather human greed. The title of the exhibition “Upright Seats” comes from an upright passenger seat designed by a budget airline - but the design has not been legally recognized. The railings used to separate crowds at the opening of the exhibition present in the simplest manner the limitations that have caused the division of classes. Hu Wen’s pure works with a kind of frankly