当蒲国昌从梦魇中,那灰色的水泥都市中走出,另外一个系列——《蚊子》系列产生了,这是蒲国昌个人精神的一次出离,他出离了那个灰色都市,最终站立于另一个空间,以《蚊子》代替了自我的身份,使蚊子这一身份与主题既背负着俗世的罪恶与与贪婪,也走出了尘世的痛苦与绝望,但蚊子这一形象的身份却逃离不开由尘俗所带来的一切标识,这也是蒲国昌潜意识中的记忆,然而作为蒲国昌笔下的蚊子,它巨大而俯视众生,以一种淡漠而悠远的距离,蚊子丧失了人类的表情,不再表达人类的恐惧,战栗和迷狂,而是带着不置可否的符号感和仪式性介入人们的视 When Pu Guochang from the nightmare, that gray cement city out of the other series - “mosquito” series was born, this is a personal energy Po Koo Chang departure, he left the gray city and eventually stood in another space , Replaced “mosquito” with self identity, so that both the identity and the theme of mosquito bear both earthly evil and greed, and out of earthly suffering and despair, but the identity of mosquito does not escape from the vulgar However, as a mosquito written by Po Guo-chang, it is huge and overlooks all sentient beings. With an indifferent and distant distance, the mosquito loses human expression and no longer expresses human fears , Trembling and crazy, but with a sense of injustice and ritual involvement of people’s vision