论文部分内容阅读
在明清两代的中国文化版图上,徽文化所发散出的光芒曾令其它地区大失颜色。且不说徽派建筑、徽派版画,不提集古典学术之大成的桐城学派,也不渲染这里作为新文化运动策源地的荣耀,单就绘画一脉,也足以睥睨画坛,泽被后世。所谓新安画派,自“海阳四家”始,据弘仁而至顶峰。其简淡高古的笔墨,孤峭幽寂的境界,一破奢靡柔媚之风,开创出中国山水的近世新体。未及200年,即有黄宾虹继而起之,以浑厚华滋之体格,再立圭臬,成为中国现代山水建立之标志。上述诸般感慨,皆由近期读林存安的山水作品而引发。林存安。生于安徽皋城。现任中共安徽合肥市委宣传部部长。安徽省美术家协会常务副主席。存安虽勤于政务,却也不忘艺事,研习、创作山水已达30余年。读存安的画,犹如梦游黄山九华,但见嶙峋危崖孤拔于云海微茫中,溪岸坡石深秀于雾霭明灭间;
On the Chinese culture map of the Ming and Qing dynasties, the light emanating from the Hui culture has greatly discredited other areas. Not to mention the Huizhou buildings, Huizhou prints, do not mention the culmination of the classical academic Tongcheng school, or here as a source of glory of the New Culture Movement, a single painting on the pulse, but also enough to stroll the painting altar, Ze later generations. The so-called Xin’an School of painting, since the “Haiyang four ” beginning, according to Hong Ren and peak. Its simple and elegant pen and ink, lonely cliffs and lonely realm, a broken luxury extravagant style, creating a modern body of Chinese landscape. Less than 200 years, that is, followed by Huang Binhong, with a thick body Huazhi, and then Guixu become the symbol of the establishment of China’s modern landscape. All of the above emotion, all by the recent read Lin Cunan landscape works triggered. Lin Cunan. Born in Anhui Gao City. The CPC Anhui Hefei Municipal Propaganda Department. Anhui Province Artists Association executive vice chairman. Although security diligent in government affairs, but also did not forget the art, study, writing landscape has reached more than 30 years. Read safe depository paintings, like a sleepwalking Jiuhua Huangshan, but see 嶙 峋 Dangerous solitary pull in the sea of clouds, stream slope deep show in the fog off;