论文部分内容阅读
中国的钢琴作品已如雨后春笋,各种风格的作品丰富而多彩。但是截至现在出版的中国钢琴乐谱几乎无一例外的出现踏板上的空白。这为钢琴演奏者特别是程度相对较低的演奏者提出了不小的难题。加上中国的钢琴作品由于基本上是以民族五声调式为基础并结合西洋作曲技法创作而成,因而在踏板的应用上就有一些特殊之处。解决这个问题也就成为了钢琴界的一个研究课题。本文通过具体研究几首中国小型作品,并抛砖引玉的讲解了这一问题,希望引起广大音乐、钢琴工作者来探讨这个问题。
Piano works in China have been springing up, various styles of works rich and colorful. However, almost all of the Chinese piano scores published so far have had their pedal gaps. This poses no small problem for pianists, especially those with relatively low levels of performance. In addition, since piano works in China are basically based on the national pentatonic style and are based on Western compositions, there are some special features in pedaling applications. To solve this problem has become a research topic in the piano industry. This article explains the problem by studying a few small works in China and gives some suggestions. It is hoped that this issue can be aroused by a large number of musician and piano practitioners.