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在工作和学习中,比如在研究生活、进行创作、阅读书刊、观摩演出的时候,做为一个戏剧舞台艺术的创造者,一定会有许多心得和体会。这些心得有时可能是片断的、点滴的,但也是很生动有趣、可以发人深思的,很有必要将它们随手记录下来。我们从这一期起开辟《演员手记》一栏,作为大家交流经验的园地。欢迎把宝贵的心得寄给我们。文章希望言之有物,短小精练,最好不要超过一千五百字;在一篇中,能够鲜明地提出一个问题来进行分析,就更好了。文章形式可以多样,如学习札记、观摩笔记、排演或演出日记、通信等等。来稿请注明《演员手记》。
At work and study, such as studying life, writing, reading books and watching performances, as a creator of drama stage art, there must be many experiences and experiences. These feelings can sometimes be fragmentary, drip, but also very lively, can be thought-provoking, it is necessary to record them readily. From this issue, we have opened the column of “Actors Notes” as a field for exchanging experiences. Welcome to send us valuable experience. The article is hopeful, short and concise, preferably not more than fifteen hundred words; in one article, it is even better to be able to raise a question clearly for analysis. Article forms can be varied, such as study notes, watch notes, rehearsals or performance diaries, communications and more. Please indicate the manuscript.