论文部分内容阅读
三十年前,雨狂风骤的十年“文革”刚结束,天津一幅描绘迎春花绽放的作品,成功地表现了人们的心花怒放和无限生机,在全国美展中赢得普遍赞誉。两名作者都是天津人,其一是画界耳熟能详的孙其峰;另一便是开始崭露头角的霍春阳,霍春阳是孙其峰的学生,那时只有30岁。此后,随着霍春阳不断推出新作,不断悟入艺术的真谛,不仅产生了广泛影响,而且在艺术思想回归深层传统后,渐渐形成别具一格的独特风格。十余年来,这种风格日益完善,不胫而走。可以毫不夸张地说,在当代中国画坛上,霍春阳是一位很有影响的中年实力派画家,虽然实力派画家也不下数十人,但有的实力在造型,另些实力
Thirty years ago, the decade of rain and fierce winds and the Cultural Revolution were just over. A work depicting the bloom of Spring Flowers in Tianjin succeeded in showing people’s full of vigor and boundless vitality and won universal praise in the National Art Exhibition. Two authors are from Tianjin, one is Sun Qifeng, who is well-known in the world of painting; the other is Huo Chunyang, who started his budding career. Huo Chunyang was a student of Sun Qifeng, who was only 30 years old. Since then, with Huo Chunyang’s continuous introduction of new works and constantly understanding of the essence of art, it has not only had a wide range of influences, but also gradually formed a unique and distinctive style after the artistic thoughts returned to the deep traditions. More than ten years, this style is increasingly perfect, spread like wild. It is no exaggeration to say that in the contemporary Chinese painting society, Huo Chunyang is an influential painter of middle-aged strength. Although his strength is not limited to dozens of painters, some strength is in the shape and the other strength