20世纪最后的几年,是个不同寻常的时间概念;就艺术而言,真正具有建设意义的探索与创新,是与这个世纪黄昏的时空紧密相连的。中国画作为艺术回到自身,并因此而发生的社会运行机制的变化,本体的认识、范围概念的突破、视野的解放与局限、审美意识的改变、语言的变革及至形式体裁的革命等等都是近几年来发生的事实。回首往事,我们发现以往花费在非艺术上的精力和时间太多了。绘画只有关心自身,才能更好地关心世界,绘画应该在这里建立自己的出发点。在这一机遇中,人才辈出,特别是中青年艺术家的 The last few years of the twentieth century were an unusual concept of time; as far as art is concerned, truly constructive exploration and innovation are inextricably bound up with the twilight time and space of this century. Chinese painting as the arts back to itself, and thus the changes in the social operating mechanism, the understanding of the body, the scope of the concept of breakthroughs, emancipation and limitations of the horizon, the change of aesthetic awareness, language change and the formal genre revolution are What happened in recent years. Looking back, we find that in the past spent more time and energy than non-art. Painting can only care about the world better by caring for itself. Painting should establish its own starting point here. In this opportunity, talented people, especially young and middle-aged artists