中国花鸟画艺术作为主体内在的精神的外化形式,是理性、情感借助于物象的某一特征而得以实现,具有能动的主观意向。在形成过程中,它可以自由选择,摒弃客观物象的某种机制,使其合情达意而不仅是形具的偶然。 As the externalized form of the inner spirit of the main body, the art of flower and bird painting in China is rational. Emotion is realized through the help of a certain feature of the object and has an active subjective intention. In the process of its formation, it is free to choose and abandon some mechanism of objective phenomena so as to make it agreeable and not merely accidental.