战国两汉时期,是我国古代铜镜的第一个繁荣时期,铜镜的纹样加上铭文,内容繁复,花样百出,加之没有明确的文献佐证,释读铜镜纹样难度极大。但是不管怎么说,这个时期铸造的铜镜,所选择的纹样主题,都不可避免地要受当时当地社会思想追求的影响。即便因为工艺制造技术的限制,无法明确表现纹样的社会意义,但是也在自觉或不自觉中,烙上了时代的印记。从错综复杂的纹样之中,寻觅铜镜的主题和制造者的意 During the Warring States Period and Han Dynasty, it was the first prosperous period of ancient bronze mirrors in our country. The pattern of bronze mirrors with inscriptions, complicated contents and numerous tricks, combined with the absence of definite documents, proved that it is extremely difficult to interpret bronze mirror patterns. However, in any case, the bronze mirrors cast at this period, the theme of the chosen pattern, are inevitably affected by the pursuit of the local social ideology at that time. Even because of the limitations of process technology, can not clearly show the social significance of patterns, but also consciously or unconsciously, branded with the imprint of the times. From the intricate patterns, look for the subject and maker of bronze mirrors