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每当改朝换代之际,对前朝的忠诚往往会让一些文人心灰意冷,遁入空门,置身红尘之外,以冷眼看天下。但这个时期,也是一些文人创作的顶峰时刻,摆脱了世俗杂事,追求内心的宁静,让艺术作品充满新的意境。陈洪绶就是这样一位前朝遗老,他目睹了明朝的腐败与终结,经历了江山易主的动荡,以出神入化的表达形式,以僻古争奇的人物画风,在明清两代独树一帜,无与伦比。陈洪绶(1599～1652)为明末清
Whenever the regime was changed, loyalty to the former dynasty often discouraged some writers from entering the empty door and exposed themselves to the world with cold eyes. However, during this period, it is also the peak time for some writers to create themselves, getting rid of secular chores, pursuing the inner peace and letting artistic works full of new artistic conceptions. Chen Hongshou is such a former pro-dynasty. He witnessed the corruption and the end of the Ming dynasty. He experienced turmoil from the chief of the country, his supernatural form of expression and his unique style of painting. He was unique in the Ming and Qing dynasties, Unparalleled. Chen Hongshou (1599 ~ 1652) for the Ming and Qing