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戏曲在我国古代时期,一直演出于较现在狭小的演出空间中,观众人数也比较有限。演员与观众之间存在着一种有别于现代大剧院的观演关系。但是随着时代的发展,戏曲逐渐走进了西式的大型剧场中。观演关系发生了巨大的转变。这对戏曲的发展来说有利也有害。近年来,北京等地区兴起了一批回归传统的小型剧场,在这里上演的戏曲表演一定程度上向传统的演出形式和观演关系靠拢。为戏曲的发展又开辟出一条新的道路,吸引了一批热爱传统,重视观演关系的戏迷走进小剧场。本文旨在就这一现象做一点分析,探讨一下戏曲发展与剧场规模、观众人数等因素的关系。
Opera in ancient China has been performed in a smaller space than the present performance, the audience is relatively limited. There is a kind of relationship between actors and audiences that is different from the modern theater. However, with the development of the times, the opera has gradually entered into the western large-scale theater. There has been a dramatic shift in the relationship. This is good and bad for the development of Chinese opera. In recent years, a series of small-scale theaters returning to tradition have risen in areas such as Beijing. The performance of the traditional Chinese operas here has, to a certain degree, moved closer to the traditional forms of performance and performance. It opens up a new road for the development of opera and attracts a group of fans who love traditional traditions and attach importance to the relationship of acting and watching into the small theater. This article aims to do some analysis on this phenomenon and to explore the relationship between the development of opera and the theater size, the number of spectators and other factors.