我在工作中,经常遇到“戏德”问题,感触良多。一个剧团的团风好,它的演出质量就比较有保证;就个人而言,“德高兼艺高”的演员,也必受观众的尊敬和爱戴。前年春夏之际,我在二本《七侠五义》的编导工作中,被青年演员方小亚同志的舞台作风所感动,觉得新苗新秀象这样忠于事业的人多些,京剧艺术何愁后继无人。方小亚是在红旗下长大的,她那种比较令人满意的演员道德,原是植根于社会主义新教育制度。我原先不识方小亚其人,也没有看过她的戏。上海京剧院的三个团,旦行特多,粥少僧多,“人浮于戏”,因而多数人,要想轮到演一台戏,犹如盼圆月当头。象方小亚这样有一定水平的演员,也难得捞到演戏机会。不久,我看到方小亚的《八仙 At work, I often encounter “drama” issue, feeling a lot. A troupe’s team style is good, and its performance quality is more assured. Personally, the actors of “Takao and Arts” must also be respected and loved by the audience. Spring and summer of the year before last year, I was in the two “Seven Chivalrous Five” director of work, was young actor Comrade FANG Xiaoya’s stage style moved, I feel the new seedling rookie loyal to the cause of such more people, opera art Unhappy worry no one. Fang Xiaoya was raised under the red flag. Her more satisfactory actor’s morality was originally rooted in the new socialist education system. I did not know Fang Xiaoya, I have never seen her play. Shanghai Peking Opera Theater of the three groups, Danxianduo, porridge less monks and more, “people floating in the show,” so most people, want to turn to play a drama, like looking forward to the full moon. Such as Fang Xiaoya such a certain level of actors, but also rare fishing opportunities for acting. Soon, I saw Fang Xiaoya’s “Eight Immortals.”