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对当代艺术创作进行多维度的细心关注仍旧是不可或缺的。不过,多年前那些源自主流思想的,试图对厌恶轻视“当代艺术”的审查进行反击而做出的乐观主义回应已不合时宜了。不言而喻,“圣像破坏论”和“自噬”这样的观念,深藏着一颗抗拒体制化的收归及反叛市场﹑其残留隶属于理想主义的坚固内核,它们与当前艺术在社会﹑经济﹑文化和政治上的状况已经完全脱节。诚然,目前仍旧存在着个人发展策略的空间,以及在主流艺术界中实施小规模独立对抗的残存可能性,如游离于商业逻辑边缘的发展和寄托于极端投机的行为。但只需在众多国际艺术交易博览会的侧廊随意走动走动,我们就足以判断出这些对抗形式的边缘性。
Multidimensional careful attention to contemporary art creation is still indispensable. However, the optimistic responses that originated from mainstream thinking many years ago in an attempt to counterattack the censorship of disgruntled “contemporary art” have become outdated. It goes without saying that the notion of “icon destruction” and “autophagy” is deeply rooted in a steadfast and rebellious market that is institutionalized and whose remnants belong to the solid core of idealism and that they And the current social, economic, cultural and political conditions have been completely out of touch. To be sure, there is still room for personal development strategies and the possibility of surviving small-scale independent rivalry in the mainstream art world, such as the development that is free from the margins of business logic and the extreme speculation that has been placed on it. But just walking around the sidewalks of numerous international art expositions is enough to judge the margins of these forms of confrontation.