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与红色经典叙事相比,姜安的创作表现出一些新的因素,比如对人性复杂性的关注,对女性压迫、女性苦难的揭示,对极“左”政治的反思,对革命者及其组织封建性的批判等,但总体看来,其创作仍没有超越红色经典叙事的正史意识、英雄传统、国家主义框架和暴力美学范型,而这些又使反思和批判显得苍白无力。她的文学创造表现出权威历史话语与现代政治理念之间的矛盾、充当社会历史家的意识与建构文学审美价值的背离。
Compared with the classic red narratives, Jiang An’s creation shows some new factors, such as the concern for the complexity of human nature, the revelation of female oppression and the suffering of women, the reflection on the politics of the left and the revolution of the revolutionary Its criticism of the feudal nature of its organization, etc. However, in general, its creation still fails to transcend the orthodox consciousness, heroes’ traditions, the framework of nationalism and the violent aesthetics of the red classic narrative, which in turn makes the reflection and criticism pale and weak. Her literary creation shows the contradiction between the authoritative historical discourse and the modern political idea and acts as the deviation of the consciousness of the social historian and the aesthetic value of constructing the literature.