几年来,当戏曲界刚刚从酣睡中醒来,开始正视“危机”、热衷于戏剧观念更新的讨论的时候,几乎普遍地忽略了一个常识性问题:当现代意识一旦渗透到戏曲领域,陈旧的舞台该有一种什么样的表达方式?虽然长期以来,由于指导思想的先进,我们已经充分认识到了“内容决定形式”的正确与精确,但同样由于指导思想的先进,我们冷漠地对待了形式所具 In the past few years, when the opera circles just woke up from their slumber and started to address the “crisis” and became keen on the discussion of the renewal of the concept of theater, they almost ignored a commonsense question: once the modern consciousness has infiltrated into the field of opera, the old What kind of expression should a stage have? Although we have fully realized the correctness and accuracy of the “form of content determination” due to the advanced guiding ideology for a long time, we are indifferently treated by the guiding ideology With