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在包括“中国第一编剧”在内的一大堆头衔中,邹静之最在意的是“诗人”的身份。他认为,写戏就是写诗。“无论是《牡丹亭》还是《哈姆雷特》等戏剧,都是诗歌。我们也把莎士比亚称为诗人。”他把诗歌的想象力、节奏、韵律移植到剧本中去,使之充满了诗情画意。邹静之就这样“诗意地栖居”着。
In a large number of titles, including “China’s first screenwriter,” Zou Jingzhi most care about the “poet” identity. In his opinion, writing is poetry. “Drama, whether it is Peony Pavilion or Hamlet, is poetry, and we also call Shakespeare a poet.” He portrayed the imagination, rhythm, and rhythm of poetry to the script, filling it with poetic and sentimental meaning. Zou Jingzhi is like this “poetically dwelling” with.