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中国画《八女投江》,为人们提供了一个对特定历史的追忆、留驻、冥想的形式居所,是王盛烈先生爱国主义情怀的体现。作品立意高远、构图精巧、笔墨神妙,耐人寻味。作者对中国人物画的独到见解,开创了中国人物画个性化的新境界,也为画坛注入新的生机,对中国绘画史做出极大的贡献。一、立意高远中国画创作以立意为先,清代方薰在《山静居画论》中提到“作画必先立意以定位置,意奇则奇,意高则高,意远则远,
The Chinese painting ”Eight women and three women throwing the river“ provides a form of residence for people to recall, stay and meditate on a specific history. It is the manifestation of Mr. Wang Shenglie’s patriotic feelings. Works lofty ideals, composition sophisticated, ink magic, thought-provoking. The author’s unique insight into Chinese figure painting opens up a new realm of personalization of Chinese figure painting, injects new vitality into the painting circle and makes a great contribution to the history of Chinese painting. First, the intentional lofty Chinese painting to conception first, the Qing Dynasty Fang Xun in the ”mountain of static painting theory“ mentioned ”painting must first be intended to set the position, meaning odd is odd, Italy is high, meaning far away ,