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书法,从速度而言,相对来说有快慢之分。快者,笔墨酣畅而不轻浮;慢者,力透纸背却涩而不滞。古之王羲之、怀素、董其昌当属前者;张旭、颜真卿当属后者。兴趣有所好,取法有专攻,皆可借古通今、投己所好。郑可春先生无疑取法前者。展开书卷,轻而不浮,隽秀之风悠然纸上,熟中见巧,随意赋形,神采超然,在现代的审美时风的表达中凸现了浓厚的对古法的理解能力。1.方圆兼备,过渡自然。如第五行“毫”字,点横取方之笔意,中间的“口”以圆成之,下行“秃宝盖”又是左方右圆,“毛”的处理圆折方钩,中间两横圆势运行、方势收笔,方寸之间有如此变化和方圆的联系,可见对古韵方圆体系的理解之深。
Calligraphy, in terms of speed, the relative speed difference. Fast, pen and hearty rather than frivolous; slow, through the paper is astringent but not stagnant. The ancient king Xizhi, Huai Su, Dong Qichang belonged to the former; Zhang Xu, Yan Zhenqing belonged to the latter. Interests are good, take a law specializing, can use the ancient pass today, vote yourself well. Mr. Zheng Kechun undoubtedly take the former method. Unfolding the book, light and not floating, Juan style of wind leisurely paper, cooked ingenuity, freehand shape, supernatural demeanor, in the expression of the contemporary aesthetic style shows a strong understanding of ancient law. 1 both radius, transitional nature. If the fifth line “milli” character, point cross-party pen meaning, the middle of the “mouth” to a round, down “bald cover” is the left side of the right circle, “Mao” handle round folding hook, the middle two horizontal Yuen-potential operation, the potential to close the pen, there is such a change between square and radius of the relationship, we can see deep understanding of ancient rhyme radius system.