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萨缪尔·贝克特,爱尔兰人,荒诞派戏剧代表作家之一,其荒诞戏剧创作蜚声西方文坛。成名作《等待戈多》创作于1952年,1953年在巴黎上演后获得巨大成功,举世瞩目,被译成20多种文字,在多个国家久演不衰。《等待戈多》通过两个流浪汉为了某种希望苦苦等待戈多而戈多始终没有出现的事实,折射出当时西方世界政治腐败,经济萧条、社会混乱、道德沦丧的社会状况。本文以《等待戈多》为例,浅议“非理性”创作中的理性成分,以期达到理解作品的目的。
Samuel Beckett, an Irishman, is one of the absurd drama representatives. His absurd dramatic creations slam the Western literary world. The famous work “Waiting for Godot” was created in 1952. After being staged in Paris in 1953, it achieved great success. It has attracted worldwide attention and has been translated into more than 20 languages. It has been performing in many countries for a long time. The “Waiting for Godot” reflects the social conditions of political corruption, economic depression, social disorder, and moral despondency in the Western world at the time of the fact that two homeless people were struggling to wait for Godot and Godot never appeared. This paper takes “Waiting for Godot” as an example to discuss the rational components in “irrational” creation in order to achieve the purpose of understanding the works.