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历代仿骚作品始终没有偏离《离骚》怀才不遇的忧愤和忠君恋阙的主题。黄道周《续离骚》《续招魂》二文在艺术形式上继承屈骚;其题材内容则标新立异,抒写失怙之痛。黄道周以孝子事亲之情取代了屈骚忠臣事君之志,看似远离屈骚的题旨,其实是一致的。屈原是黄道周道德人格的楷模,因此黄道周追步屈原,以孝子比照忠臣,以孝子事亲比照忠臣事君;这一题材内容的开拓,是以黄道周忠孝一体的孝道观为前提的,并体现其致力于孝子而忠臣的道德养成的自修轨迹。
Imitation Sao show throughout the history has not deviated from the “Li Sao” only once in a while anger and love the subject of loving Que. Zodiacal “continued from the Sao” “Continued to recite the soul,” the second text in the art form to inherit the Qusi; the subject matter of its content unconventional, describing the pain of loss. The ecliptic zodiacal affectionate affectionate affectionate affection replaced Qusy loyalist minister Zhi Zhi, seemingly far away from Qu Yuan’s theme, is actually the same. Qu Yuan is a model of the moral character of the ecliptic zodiac. Therefore, zodiac follows the path of Qu Yuan, comparing loyalty to filial piety with filial piety, and loyalty to ministering monarch with filial piety. The development of the subject matter is premised on the filial piety concept of zodiacal integrity, And embodies the track of self-cultivation that is dedicated to filial piety and loyalty.