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民间文学作为学科名词,因其指涉范围的局限已难以适应当下作为日常生活空间的指称,已渐为西方学人所抛弃。复活和更新白话文学作为民间文学这一外来词所指涉的中国文学活动空间,既是作一种史实的还原,也试图复活传统概念的潜在意蕴,由此创建具有中国特色的民间文学学术话语。白话和白话文学概念内蕴的对于民间文学作为“生活活态性”、“复调性”、“日常生活审美性”的界定思考,突破了一度被窄化的民间文学仅作为下层民间话语表达的藩篱,进而将日常生活审美纳入到民间文学的研究范畴,实现了传统与当下的合理对接。这一更新让中国民间文学传统得以接续和发扬,理论焕发出新的生命活力。
Folk literature as a subject, because of its limited range of reference has been difficult to adapt to the current as a reference to the space of daily life, has gradually abandoned by Western scholars. Resurrection and Renewal of vernacular literature as a foreign language refers to the movement of Chinese literature as both a historical reduction and an attempt to revive the potential implications of traditional concepts to create an academic discourse of folklore with Chinese characteristics. The conception of the vernacular and vernacular literature implies that the definition of folklore as a “life activity”, “polyphony”, and “aesthetics of daily life” has broken through the once narrowed folk literature Only as a barrier for the expression of folk discourse at the lower level, and then incorporates the daily life aesthetics into the research field of folk literature and realizes the reasonable connection between tradition and present. This update enables the continuation and development of the Chinese folklore tradition, which has given rise to new vitality of life.