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撒旦的探戈要要要温柔背后的坚硬谢络绎是以“女性飘泊”叙事文本登上文坛的,她的作品一出世就给读者一阵惊喜,这可能与她对文学的悟性以及“城市他者”的飘泊心态有关。谢络绎的小说,既不生涩,也不媚俗,既不娇艳,也不通俗;没有青春期的朦胧骚动,也没有故作卖萌的羞涩。谢络绎的小说叙事模式拒绝纯情,拒绝温柔,拒绝粉饰与伪装。在她的长篇小说《恐婚》里,没有和风细雨式的爱情,你读不到眼下文学作品里小女
Satan’s tango needs gentle epicureanness behind gentleness to embark on the literary world with the narrative text “Female Floating in Paradise.” Her work surprises readers once she is born, which may be related to her understanding of literature as well as the “city Other ”wandering state of mind. Xieluoyi’s novels are neither jerky nor kitsch, they are neither tender or tender nor popular; there is no hazy commotion during adolescence and no shyness to sell Meng. Xie Loren interpretation of the novel narrative mode rejected pure innocent, refused gentle, refused to whitewash and disguise. In her novel “Fear of marriage”, there is no style of love, you can not read the little girl in literature now