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在先锋小说崛起的过程中,辽宁作家马原居于开拓者的位置;洪峰虽受马原影响至深,但仍有自己独特的风格和艺术成就。马原、洪峰等在叙事模式、小说话语、对人的生存状态的描摹上所做的革命性的探索,源于其历史观、社会观、艺术观的变化。他们早期所进行的叙事革命,源于外在生存环境的变化与文学内在变革的驱动。后期,伴随着消费主义文化的兴起和繁盛,加之先锋小说自身的局限,马原淡出了先锋文学的阵营,洪峰则在先锋和传统间徘徊,在艺术困境中实现了意义的重建。
In the process of the rise of avant-garde novels, Liaoning writer Ma Yuan lived in the pioneer’s position. Although Hongfeng was deeply influenced by Ma Yuan, he still had his own unique style and artistic achievement. Ma Yuan, Hong Feng and others in the narrative mode, the novel discourse, the description of the living conditions of the people to make a revolutionary exploration, from its view of history, social outlook, artistic changes. The narrative revolution they carried out earlier was originated from the change of external living environment and the internal reform of literature. Later, along with the rise and flourish of the consumerism culture, coupled with the limitations of the avant-garde novels, Ma Yuan faded out the camp of avant-garde literature while Hong Feng lingered between the vanguard and the tradition and realized the reconstruction of meaning in the artistic dilemma.