在当今的苏联文坛上,赢得世界声誉的文学大师,首推吉尔吉斯作家钦吉斯·艾特玛托夫。他的作品已被译成七十多种文字,由九十多家外国出版社出版发行。在短短的二十五年间,他的作品荣获“列宁文学艺术奖金”一次,荣获“国家文学艺术奖金”三次。他的中篇小说,几乎无一例外地被拍成电影或电视片。他的代表作,被誉为目前苏联文学创作的“指路牌”和“方向标”,难怪当今苏联交口称赞他是文中之翘楚。艾特玛托夫之所以能够赢得如此美好的声誉,全在于他对苏联文学的开拓和创新。这位形成自己独特风格的文学大师,既植根于自己的民族文化,又广泛地吸收他民族文化的精华;既坚持苏联文学的基本方向,又大胆“摒弃一切过时的东西,而用当前的经验取而代之。”他是在“非英雄化”的声浪中,在虚无主义思潮泛滥之际,以“理想 In today’s literary world of the Soviet Union, the literary masters who won the world reputation devaluated Kyrgyz writer Aitmatoh. His work has been translated into over 70 languages ​​and published by more than 90 foreign publishers. In a short span of twenty-five years, his work won the “Lenin Literary and Art Prize” once and won the “National Literary and Art Prize” three times. His novella, almost without exception, was made into a movie or television. His masterpiece, known as the current Soviet literary creation “signpost” and “direction”, no wonder the Soviet Union now praised him as a leader in the text. The reason why Aitmatov won such a beautiful reputation lies in his pioneering and innovation in the literature of the Soviet Union. This literary master who forms his own unique style is both rooted in his own national culture and extensively absorbs the essence of his national culture. By adhering to the basic orientation of Soviet literature, he boldly “abandons all outdated things and uses the current Experience. ”He is in the“ non-heroic ”waves, in the flood of nihilism, with" ideal