宋代的苏轼是诗、散文、画和书法的集大成者,也是一位擅长描绘竹意象的名家。在苏轼的作品中,“竹”复现率最高,且意蕴丰富。竹文化深厚的历史渊源、丰富的文化内涵、苏轼对竹的喜爱及其生活与精神上与竹的密切关系,是苏轼诗歌中出现大量竹意象的缘由。苏轼诗歌中的竹意象有着丰富的内涵,他既以之自比,借此表达自己高洁、正直的品格,遭迁谪仍矢志不渝的情怀;也以之为寄托,抒发超然世外的禅学心境。总之,苏轼诗歌中对竹的描写建立在切身感受基础上,物我相融,并博采众家之长,对后世作家的诗词创作产生了积极而深远的影响。 Su Shi in the Song Dynasty was a master of poetry, prose, painting and calligraphy. He was also a famous artist who was good at depicting bamboo images. In the works of Su Shi, “bamboo” the highest recurrence rate, and rich in meaning. Bamboo culture profound historical origin, rich cultural connotation, Su Shi’s love of bamboo and its close relationship with life and spirit and bamboo are the reasons for the emergence of a large number of bamboo images in Su Shi’s poetry. The image of bamboo in Su Shi’s poetry is rich in connotations. He not only expresses his self-righteousness and integrity, but also inherits his unshaken feelings. It also expresses the transcendental Zen Mood. In short, the description of bamboo in the poems of Su Shi is based on the personal experience. The blending of things with each other and the acquisition of the best of all people have a positive and far-reaching impact on the writing of later writers.