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谢尔盖·多甫拉托夫是俄罗斯文学史上侨民文学第三浪潮的代表人物,成名于美国。《手提箱》是多甫拉托夫的代表作之一,由独立的八篇小说构成。《手提箱》中通过一个个幽默诙谐的故事,刻画了来自不同阶层的多个人物形象,连同叙事主人公“多甫拉托夫”一起,构成了苏联社会一幅生动的“众生图”。“笑”是《手提箱》中最主要的特色,小说中的各个人物被多甫拉托夫以“哈哈镜”的形式表现出来,颇具荒诞色彩,由此构筑了众多人物的“狂欢化”表。本文将结合巴赫金的“狂欢化诗学”理论,分析多甫拉托夫《手提箱》中的“狂欢化”人物,并阐释其在小说中的作用。
Sergey Duponttov is the representative of the third wave of diaspora literature in the history of Russian literature, becoming famous in the United States. “Suitcase” is one of the masterpieces of Dopratov, composed of eight independent novels. The “suitcase” depicts a number of characters from different walks of life through a series of humorous stories, together with the protagonist of the narrative “Dopratov”, which constitutes a vivid picture of the sentient beings of the Soviet Union “. ”Laugh “ is the most important feature in the ”suitcase“, all the characters in the novel are shown in the form of ”haha mirror“ by Dopratov. It is quite absurd, ”Carnival“ table. Based on Bakhtin’s theory of ”carnivalesque poetics,“ this article analyzes the ”carnivalized“ characters in the ”suitcase" in Doveratov and explains its role in the novel.