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1915-1916法国无声片导演费雅得将“吸血鬼”搬上了银幕,从此,游荡在影院黑暗中的吸血鬼,就成了观众心头挥之不去的梦魇和诱惑。人们害怕他,却又趋之若骛,“恐惧”构成了观众喜欢此类电影的的永恒情结。吸血鬼实际上就是一个“文化禁忌”,这是人们害怕它的原因,在他身上没有道德、爱等人类主流文化价值的体现,他不被上帝眷顾,无法在日间行走,他永远的被放逐在人类文明之外的荒郊野堡里,他构成一个时代主流文化的对立面。但今年由伦·维斯曼导演的吸血鬼题材恐怖片《黑夜传说2：进化》却想剔除我们的恐惧,把吸血鬼从文明的禁忌里拉出来,让它们成为主流文化价值的体现和象征。从文化意义上说,《黑夜传说2：进化》是吸血鬼在电影史上的一次“进化”。
1915-1916 French silent film director Fayyard put the “vampire” on the screen, from then on, wandering in the darkness of the theater vampire, became the audience’s lingering nightmare and temptation. People are afraid of him, but rush, “fear” constitutes the eternal love of the audience like this movie. Vampire is actually a “cultural taboo,” which is why people are afraid of it. There is no manifestation of the mainstream cultural values of humanity such as morality and love in him. He is not favored by God and can not walk in the daytime. He is banished forever In the wilderness outside of human civilization, he constitutes the antithesis of the mainstream culture of the time. But this year’s vampire-themed horror film Dark Legend 2: Evolution, directed by Len Weisman, wanted to get rid of our fears and pull vampires out of the taboo of civilization, making them the embodiment and symbol of mainstream cultural values. Culturally speaking, The Dark Night 2: Evolution is an evolution of vampires in the history of cinema.