历史小说作家的历史观和创作手法是作品形成的重要基础,也是学界热议的话题。近年,司马辽太郎的代表作《坂上云》(『坂の上の雲』)在日本国内引起较大反响,其中很多文字涉及中国的人文环境、地理环境以及历史人物,其内容的客观性值得商榷。本文通过举例、分析的方式,说明司马辽太郎笔下的“中国”在该部小说中仅起到衬托作用,同时,对其历史观和创作手法提出批评,以修正日本学界及社会中存在的某些文学观和历史观,体现中国学者的研究主体性。 Historical novels writer’s view of history and creative approach is an important foundation for the formation of works, but also hot topic of academic circles. In recent years, Shiba Ono’s masterpiece “Sakamoto Yumo” (“Sakamoto Sakura”) has aroused great repercussions in Japan, many of which are related to the humanities, geography and historical figures in China. The objectivity of its content is open to question . By means of examples and analysis, this paper shows that “China” written by Sima Liao Taro played only a role in the novel’s novels and at the same time criticized his views on history and his writing techniques in order to correct the existence of Japanese academia and society Some of the literary concepts and historical values, reflecting the Chinese scholars’ research subjectivity.