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18世纪辉煌一时的书信体,在经过19世纪的短暂衰落后,20世纪,艾丽丝·沃克大胆地选择书信体创作《紫颜色》,并取得了成功。本文着重用文体学批评方法从书信体这一角度按照书信体小说的类型特征、情节集中性的弱化、读者的接受活动这三个大方面来阐述《紫颜色》文本的真实性。
After a brief ebb and flow of the 19th century, Alice Walker boldly chose epistolary “purple color” in the 20th century and achieved success. This article focuses on the authenticity of the “purple color” texts from the perspective of epistolary literature in terms of stylistic criticism in terms of the typological features of epistolary novel, the weakening of plot concentration and the acceptability of readers.